What Color Is Forgiveness—When the Power Must Go Out

Shams-Tabriz

Shams-Tabriz
Intuitive Mentor and Channel, named at birth after Rumi’s companion, Shams of Tabriz. Author of Awaken to Brilliance, The Magdalene Prophecy, and Soaring With Angels.
Creator of the Shams-Tabriz Method™ — guidance drawn from astrology, numerology and the etymology of your name, read together as one interwoven design.

You are holding forgiveness in your hands like something that should feel like relief, and instead it feels like betrayal—like you are choosing to let go of the one thing that was keeping you sharp, keeping you right, keeping the other person responsible for what they did. The lightness you were promised has not arrived. What arrived instead is a particular kind of vertigo, as though you have just voluntarily stepped off solid ground.

Forgiveness is not what you have been told it is. It is not reconciliation, not agreement, not a pronouncement that what happened was acceptable or small. It is something much stranger and much more deliberate than that—and it will require you to enter a darkness you have never chosen before.

The house when the power is cut

Picture a house in the middle of renovation. Not a cosmetic one—a structural one. New wiring is being threaded behind the walls, old circuits are being removed, the bones of the electrical system are being replaced root to branch. To do this work, the power at the main panel has to be cut. Every light goes out. The refrigerator stops. The familiar hum of the house shuts off completely. If you were standing in that house, you would have to move slowly. You would have to use your hands to feel the walls. The work happens in darkness, in the spaces you cannot see, in the places where plaster has been opened and the infrastructure is exposed.

But here is what that darkness actually is: it is not punishment. It is not a failure of your forgiveness—it is the whole point of it. Forgiveness is the deliberate cutting of the power so that the rewiring can happen. It is the choice to move through darkness while something truer than the old system is being constructed in the spaces no one can see. The lights will return, but they will return to a changed house.

What color is forgiveness when the old system still feels like safety?

You have organized yourself around what was done to you. That harm became the architecture you built your vigilance around, your caution, your refusal to trust that person or to let down your guard. The structure you built was not comfortable, but it was comprehensible. You knew where the walls were. You knew what to watch for. And now you are choosing—actually choosing—to dismantle that structure while you have nothing yet to replace it with.

This is why forgiveness feels like walking into a room where someone has cut the power at the main panel. The old system is no longer running. The vigilance you trained yourself in, the story you told about what that person is, the identity you built around having been wronged—all of it goes dark. And for a time—and this time is not short—you are left standing in blackness while renovation happens that you cannot see. You cannot see the new wiring. You cannot see what is being built. You can only hear the sounds of work behind the plaster, the hammering, the saw, the voices of workers you cannot locate. This is the loneliness of forgiveness. Not the loneliness of being wronged—that loneliness had company, had a narrative, had a shape. This loneliness is different. It is the loneliness of being in transition, of having released what was and not yet receiving what will be.

Entering the darkness without losing yourself

You do not move through this alone—if the weight of what happened is still heavy on you, if you are carrying trauma in your body or in the patterns of how you move through the world, a good therapist is not a luxury and not a sign of weakness. It is the real infrastructure, the people and the skilled hands who understand how to rewire a life. Forgiveness is not a spiritual bypass for the work of healing—it is only possible after some of that work has begun, and it cannot replace it. Find those people. Let them hold the complexity with you. There is no strength in doing this part alone.

What you can do in the darkness is move slowly and deliberately, the way you would move through a house without power. Put your hands on what is solid. Speak the forgiveness aloud—not to the person, not for their benefit, but for the rewiring itself. Say it to the part of you that is no longer watching, no longer vigilant. Say it to the spaces behind the plaster. Sit with the people who do not require you to be resolved yet, who can tolerate your not-knowing. And when the weight returns—when you find yourself rebuilding the old vigilance, when you reach for the story again because at least you knew how to live in it—notice that. That is not failure. That is just the sound of the saw hitting something harder than expected. The work continues. The power stays off. The house is still being rewired.

What runs through your mind What’s actually true
If I forgive them, I’m saying it didn’t matter, that what they did was okay. Forgiveness only means you are no longer letting what they did renovate the rest of your life. The harm still happened. Your refusal to let it run the main panel is not the same as pretending it was small.
I feel like I’m betraying myself by letting this go. You are not letting go of yourself—you are releasing the version of yourself that was built in response to their actions. The truer version is being built now, in the dark, where you cannot yet see it.
The forgiveness doesn’t feel real because the anger is still there. Anger and forgiveness exist in the same room during renovation. The anger is the sound of work. It does not mean the rewiring is not happening.
I don’t know who I am if I’m not holding what they did. That not-knowing is the darkness—and that darkness is exactly where you become someone new.

A little help, while you’re here

  • Write down the specific story you have been telling about what happened and what it means about you—the narrative you built around the harm. Then write one line: “I am releasing the power from this story.” Sit with both pieces of paper in front of you for ten minutes without trying to feel anything in particular. Just sit.
  • Call or text someone you trust and say, “I am forgiving someone and I do not feel resolved about it yet. Will you just listen?” Do not ask them to convince you it’s right. Ask them to sit in the not-knowing with you.
  • If you notice yourself rebuilding the old vigilance, rebuilding the story, reaching back for the structure that fell—pause, and ask yourself: “Is this the saw, or is this me?” Understand that returning to old patterns during transition is not failure; it is noise from the work. Lay back down.

The lights returning

There will come a day—not soon, but there will come a day—when you walk into a room and the lights are on again, and you will not remember the exact moment the electrician flipped the breaker back. The house will be different. Some of the walls will still be bare where the plaster was opened. Some of the rooms will feel strange in their new wiring. But the house will hold light the way it did not hold it before—steadier, truer, built on something deeper than reaction.

And forgiveness will be the color of that light: not bright because it erases what happened, but bright because you chose to enter the darkness and let the rewiring happen anyway. Not bright because you trust the person again, but bright because you are no longer organized around their harm. Not bright because the work is finished—it never is—but bright because you stopped running the old system and chose instead to live in the unknown while something true was being built.

The power will come back on. Not all at once. Not uniformly—some rooms will seem lit before others. But when it does, you will be standing in a house that is yours again, that works the way you need it to work, that holds light because you were brave enough to cut the power and wait in the dark.

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